Stef craps virginia woolf
Craps, S. () Virginia Woolf: “Kew Gardens” and “The Legacy”, in A Companion to the British and Irish Short Story (eds C. A. Malcolm and D. Malcolm), Wiley-Blackwell, Oxford, UK. doi: /ch On Mar 2, , Stef Craps published the chapter: Virginia Woolf: “Kew Gardens” and “The Legacy” in the book: A Companion to the British and Irish Short Story. ') I CHAPTER 11 1 HOW TO DO THINGS WITH GENDER: TRANSGENDERISM IN VIRGINIA WOOLF'S ORLANDO Stef Craps) I I • Orlando has often been regarded as little more than a playful interlude in Virginia Woolfs oeuvre, and has suffered considerable critical neglect as a result.
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Title Cited by Year Postcolonial witnessing: S Craps Sussex Academic Press, , This situation has changed somewhat since the publication of Susan Dick's The Complete Shorter Fiction of Virginia Woolf ; second edition , which identified and included no fewer than forty-six complete works and a dozen Toby Smethurst Ghent University Verified email at ugent. New citations to this author. Find out how to subscribe. New articles by this author.
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New citations to this author. New articles related to this author's research. My profile My library Metrics Alerts. Toby Smethurst Ghent University Verified email at ugent. Bryan Cheyette University of Reading Verified email at reading.
Claire Colebrook Penn State Verified email at psu. Verified email at ugent. Contemporary literature trauma studies memory studies postcolonial studies ecocriticism. Articles Cited by Co-authors. Title Cited by Year Postcolonial witnessing: Trauma out of bounds S Craps. Canadian Review of American Studies 37 2 , , Articles 1—20 Show more. Trauma out of bounds S Craps Springer , Trauma and ethics in the novels of Graham Swift: S Craps Sussex Academic Press, , Linking Legacies of Loss: Wor l ds of grief: Traumatic memory and literary witnessing in cross-cultural perspective S Craps Textual Practice 24 1 , , Learning to Live With Ghosts: Memory Studies 5 2 , , How to Do Things with Gender:
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Virginia Woolf's reputation as a towering literary figure rests largely on her novelistic output, yet she was also an accomplished writer of short fiction. While short-story writing played an important role for her throughout her career, she published relatively few works of short fiction in her lifetime. Monday or Tuesday , which came out from the Woolfs' own Hogarth Press in as its first full-length publication , was the only collection of short stories she ever published.
In she began to contemplate putting together another book of short fiction, which became the posthumous A Haunted House and Other Short Stories , edited and published by her husband Leonard.
It included six of the eight stories from Monday or Tuesday , seven stories that had appeared in periodicals, and five previously unpublished pieces. Criticism of Woolf's short fiction has been scarce, especially compared with the vast amount of critical attention bestowed on her novels. Few articles have been devoted to it, and critical studies and biographies tend to ignore or quickly pass over what they see as a sideshow to the author's core business of writing novels.
This situation has changed somewhat since the publication of Susan Dick's The Complete Shorter Fiction of Virginia Woolf ; second edition , which identified and included no fewer than forty-six complete works and a dozen Blackwell Publishing and its licensors hold the copyright in all material held in Blackwell Reference Online. No material may be resold or published elsewhere without Blackwell Publishing's written consent, save as authorised by a licence with Blackwell Publishing or to the extent required by the applicable law.
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